Concert Reviews

“DRAMA QUEENS is an ace of an evening for any venue! Indeed, the experience enters my own personal treasure chest of extraordinary performances in past decades, with names such as Schwarzkopf, Fischer-Dieskau, Vickers, Nilsson and Callas topping the list..”

– The Opera Critic

Joyce DiDonato and John Gardiner at the BBC Proms

“The centrepiece of the programme was a complementary pair of death scenes featuring Cleopatra and Dido, sung by Joyce DiDonato. In this vast hall it is arguable that a larger voice is needed to rise to the tragic immensity of these utterances, but the ardour of her singing brought every word to life. La mort de Cléopâtre, with its shuddering end as the asp’s poison takes effect, took musical effects to the extreme. In Dido’s last aria from Les Troyens DiDonato and Gardiner combined to achieve an electric sensitivity.”

Financial Times
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Joyce DiDonato and Yannick Nézet-Séguin in Concert

Bachtrack
by Jenny Camilleri

“[DiDonato] performed the desperate “Scherza infida”, with gorgeous bassoon tears, and the vengeance cry “Svegliatevi nel core” as one scene, without applause in-between. Limbs atremble, she was a mass of impotent rage, varying the repeated sections of the arias with expressive simplicity. In an equally intense “Parto, parto” by Mozart, DiDonato crowned a fabulous duet with Julien Hervé on the basset clarinet with dazzling coloratura.

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Joyce DiDonato and Antonio Pappano in Concert

“Joyce DiDonato manifested once again how easily her voice adheres to various eras and manipulations and techniques, clinging as naturally to both classical German arias and voice-bending Ravel as sugary glaze sticks to pastry.

It was another reminder that DiDonato is not a star in opera – but the star.”

Broadway World

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Mezzo-Soprano Joyce DiDonato Performs Recital at Granada

Santa Barbara Independent
by Charles Donelan

Two things became clear on the whirlwind tour through multiple languages, countries, and centuries that was Joyce DiDonato’s recital program at the Granada on Sunday, April 15: This woman loves to sing, and she loves singers. The evening’s eclecticism remained firmly grounded throughout in the deep connection that DiDonato feels for students of voice. From the opening strains of Pablo Luna’s lovelorn celebration of Spanish identity, “De España vengo,” to the rambunctious embellishments of Arie Antiche’s musical education standards as arranged by pianist Craig Terry, everything on the program seemed designed to appeal to an audience familiar with the arduous, at times heartbreaking journey of a classically trained vocalist.

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Dead Man Walking / Barbican

“With a line-up of such first-class singers, vocal delivery was consistently excellent. Joyce DiDonato, reprising the role of Sister Helen, displayed a magnificent range of emotions, capturing frustration, piety, simplicity, anger and, above all, humanity.”

MusicOMH

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Concert at Wigmore Hall: “beauty and range of a voice at its peak”

“The power of a diva at the top of her game is an impressive thing. Joyce DiDonato has sold out the Wigmore Hall twice this week, which may not seem surprising except that she is doing it with a programme that is far from populist… Even more impressive is the intelligence and boldness with which she deploys it.”

Richard Morrison – The Times

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Billboard: Joyce DiDonato named female singer of the year for “In War & Peace”

“The appearance of Joyce DiDonato, combined with her important political message was an absolute highlight.”

Read the entire article on Billboard.

Les Troyens / Orchestre Philharmonique de Strasbourg

“Joyce DiDonato arrived as Didon in Act III looking every inch the queen of Carthage, acknowledging her people with straight backed authority without losing a delicate feminine sadness over her solitude. Her blossoming relationship with the Énée of tenor Michael Spyres brought a duet of overwhelming sensuality … Just when “reserved” and “elegant” seemed apt words to describe DiDonato, the mezzo seized on the drama of the final act to unfurl a torrent of lustrous tone and unbridled commitment to set her performance of the Carthaginian queen beside the great interpreters of the role.”

Stephen J. Mudge – Opera News

Ariodante / Carnegie Hall

Opera News
by David Shengold
View Article

Ariodante on Carnegie Hall’s main stage on April 30featured a soaring, energized Joyce DiDonato and a uniformly strong cast under Harry Bicket’s expert direction. Listening to the thunderous ovations during and after the opera, one hoped that the managements of New York’s two leading opera companies would see from the wild success of Bicket’s local appearances with his English Concert that Handel has not only superb exponents these days but a highly motivated public who will travel and buy seats to hear his works.

The English Concert is just terrific—a fleet and accurate Baroque ensemble fully responsive here to the vocalism they supported. Bicket led from the harpsichord, which he played with great conviction. All the continuo players performed admirably; but one leaves Ariodante remembering the bassoon, and Alberto Grazzi handled his portion of the stop-time miracle of “Scherza infida” as deftly and expressively as did DiDonato, who blended bitterly enunciated consonants with seemingly endless breath support and legato ease. The mezzo sounded in peak form from her first mellow arioso, “Qui d’amor,” and gave a generous, deeply chiseled and resonantly projected reading of one of her great assumptions. For such heartfelt artistry and beauty of tone in such technically and psychologically remarkable music, what could one offer but grateful smiles (with a healthy admixture of tears)?”

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Toi Toi Toi you gorgeous artists and heavenly theater folks!!!! https://t.co/6kfhATZiPg

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18 Sep

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Well, if it’s not a “Two Widows” Reunion!!!!! @operabrandon, what a joy to share the stage with you again after tw%#*y years! And here I am again, a W2BW! (Widow To Be Wooed) Bonus points for anyone who actually attended our *historic* performances in Smetna’s underperformed opera way back in 1998 in #Chautauqua!!! #Chautauqua2Carthage #Smetna2Berlioz #HappilyEverAfter2TotalDestruction

I could not be happier or more excited that our wonderful album of Les Troyens has been named “Recording of the Year” at tonight’s Gramophone Award ceremony. Thank you to the visionary and magical music-making of John Nelson, my fabulous cast members and to @warner_classics for in believing in this project. It has been a pleasure and an extreme privilege to be a part of it. THANK YOU!!! Viva Les Troyens and viva #Berlioz.

Tune in to Great Performances | PBS to watch @metopera #Cendrillon broadcast at 12PM ET today! ✨👠👸 Photo: Paola Kudacki / Met Opera #greatperformancespbs

What a perfect, beautiful, timely moment to embrace a fairy tale: don’t miss the Metropolitan Opera's heralded production of “Cendrillon” on @PBS Great Performances! Bask in the beautiful French melodies of Massenet. Laugh at the charming staging. Marvel at the gorgeous costumes. Revel in the soaring vocal lines of our brilliant cast. I’ve spent over 20 treasured years with Cinderella, and I’d love to share this final trip to the palace with you! @metopera @alice.coote @sblythe327 @sop_kathleen_kim #laurentnaouri @metoperachorus @metorchestra #bertranddebilly #laurentpelly

Happy Friday, everyone! I wanted to start the weekend with something special that I hope you’ll enjoy! In celebration of the release of my new album “Into the fire” featuring Jake Heggie’s profound song cycle about Camille Claudel, I created this playlist featuring some of my favorite tracks of Jake’s music. 🎧 Link in bio. He is not only a dear friend, he also captures human emotions so beautifully in this writing and I am always stunned by his sheer abundance of music ideas, languages and styles. I have been fortunate enough to sing a lot of his music throughout my career and I have so many beautiful memories of each and every one of his works I performed. I will never forget the profound impact on everyone in the cast and in the audience for each performance of “Dead Man Walking” and the wonderful humanity and insight into the life of a performer in “Great Scott”. Jake’s songs are part of almost every recital I give and I hope to be able to share how special his music is, via this playlist I created for all of you! @warner_classics @applemusic

I’m in LOVE with performing #Berlioz with @monteverdi_choir_orchestras (#ORR). Add into the mix performing at the @bbc_proms and I’m positively done. My personal recommendation is that you tune in tonight for a rousing listen on @bbcradio3!!! #colormelucky #tragicdeathxtwo #berliozrocksmyworld

Thank you #Hamburg and the stunning @elbphilharmonie for such a warm welcome last night. Congratulations on the start of another stunning season. An even warmer debt of gratitude for the stunning Orchestre Révolutionaire et Romantique and Sir John Eliot Gardiner for divine, powerful music making. Cléopâtre has never suffered such a brutal death!! Look out, #London: you’re next!! @bbc_proms

Hello from Hamburg! I am thrilled to start the 2018/19 season with two concerts conducted by the legendary Sir John Eliot Gardiner​ and his Orchestre Révolutionnaire et Romantique, tonight at @elbphilharmonie Hamburg and on September 5 at the @bbc_proms in London. I will sing Didon’s death scene from Les Troyens and La mort de Cléopâtre. The next two months are all about #Berlioz for me and I could not be more excited to sing this gorgeous music. 📻 Our concert at the @royalalberthall on September 5 will also receive a live broadcast on @bbcradio3. I hope you all had a spectacular summer. I am very excited to start this new season and I look forward to seeing you at one of my performances! Photo: @chrissingerme

#shattered #glass #beautyinthebroken #geometry #viennaairport #timetofly #aspsawait @bbc_proms #hereicome #queencleo #speakingofshattered ...... 😎💋😎

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There will always be more freedom to acquire and more truth to uncover.

~ Joyce DiDonato