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Berlioz’s Les Troyens wins Gramophone’s 2018 Recording of the Year Award

‘A peach of a recording’ is how I signed off my original review of this account of Berlioz’s Les Troyens last December – ‘a thrilling new benchmark for this epic opera’. I completely stand by that assessment today – this set from Erato is an absolute stunner. I attended the second of two concert performances in Strasbourg last year from which the recording was taken (along with a patching session). Not only was it my outstanding concert of 2017, the resulting set was easily my disc of the year too.

Recordings of Les Troyens don’t come along every year, or even every decade. At four hours, it’s not on the scale of The Ring (although Wagner splits his cycle across four evenings) but is still a massive undertaking for any opera company to put together a cast capable of doing it full justice. This season, for example, just two companies – the Wiener Staatsoper and the Opéra de Paris – take up the challenge, and both productions feature singers who appeared on this winning recording. Perhaps this is one explanation of why Erato’s set is such a great achievement: no opera house could possibly field such a splendid cast.

The surprising thing is that – with the exception of Hanna Hipp, who sang Anna at Covent Garden in 2013 – all the singers were making their role debuts. The first half, ‘The Fall of Troy’, is dominated by the French-Canadian Marie-Nicole Lemieux, whose burnt-caramel contralto and dramatic flair make for a wild, unhinged Cassandre, partnered by the stylish baritone Stéphane Degout as Chorèbe. Michael Spyres is a colossus as Énée, in gripping, inexhaustible voice with thrilling top notes that have real ping. In Carthage, he falls for Joyce DiDonato’s noble Didon – and who can blame him? The American mezzo sings with tender ecstasy in their ‘Nuit d’ivresse’ love duet, yet summons up a vehement response to Énée’s desertion. Then take a look at the ‘minor’ roles: Marianne Crebassa, Cyrille Dubois, Stanislas de Barbeyrac, Philippe Sly … a true embarrassment of riches assembled by Erato’s Alain Lanceron with John Nelson.

But the highest accolade is due to the man on the podium. John Nelson told me he’d picked the Strasbourg Philharmonic, on the Alsatian border, for its combination of French colour and German discipline. Nelson has conducted more performances of Les Troyens than anyone else in the past four decades and that experience is vital in this truly remarkable recording.

Gramophone

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Toi Toi Toi you gorgeous artists and heavenly theater folks!!!! https://t.co/6kfhATZiPg

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18 Sep

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Well, if it’s not a “Two Widows” Reunion!!!!! @operabrandon, what a joy to share the stage with you again after tw%#*y years! And here I am again, a W2BW! (Widow To Be Wooed) Bonus points for anyone who actually attended our *historic* performances in Smetna’s underperformed opera way back in 1998 in #Chautauqua!!! #Chautauqua2Carthage #Smetna2Berlioz #HappilyEverAfter2TotalDestruction

I could not be happier or more excited that our wonderful album of Les Troyens has been named “Recording of the Year” at tonight’s Gramophone Award ceremony. Thank you to the visionary and magical music-making of John Nelson, my fabulous cast members and to @warner_classics for in believing in this project. It has been a pleasure and an extreme privilege to be a part of it. THANK YOU!!! Viva Les Troyens and viva #Berlioz.

Tune in to Great Performances | PBS to watch @metopera #Cendrillon broadcast at 12PM ET today! ✨👠👸 Photo: Paola Kudacki / Met Opera #greatperformancespbs

What a perfect, beautiful, timely moment to embrace a fairy tale: don’t miss the Metropolitan Opera's heralded production of “Cendrillon” on @PBS Great Performances! Bask in the beautiful French melodies of Massenet. Laugh at the charming staging. Marvel at the gorgeous costumes. Revel in the soaring vocal lines of our brilliant cast. I’ve spent over 20 treasured years with Cinderella, and I’d love to share this final trip to the palace with you! @metopera @alice.coote @sblythe327 @sop_kathleen_kim #laurentnaouri @metoperachorus @metorchestra #bertranddebilly #laurentpelly

Happy Friday, everyone! I wanted to start the weekend with something special that I hope you’ll enjoy! In celebration of the release of my new album “Into the fire” featuring Jake Heggie’s profound song cycle about Camille Claudel, I created this playlist featuring some of my favorite tracks of Jake’s music. 🎧 Link in bio. He is not only a dear friend, he also captures human emotions so beautifully in this writing and I am always stunned by his sheer abundance of music ideas, languages and styles. I have been fortunate enough to sing a lot of his music throughout my career and I have so many beautiful memories of each and every one of his works I performed. I will never forget the profound impact on everyone in the cast and in the audience for each performance of “Dead Man Walking” and the wonderful humanity and insight into the life of a performer in “Great Scott”. Jake’s songs are part of almost every recital I give and I hope to be able to share how special his music is, via this playlist I created for all of you! @warner_classics @applemusic

I’m in LOVE with performing #Berlioz with @monteverdi_choir_orchestras (#ORR). Add into the mix performing at the @bbc_proms and I’m positively done. My personal recommendation is that you tune in tonight for a rousing listen on @bbcradio3!!! #colormelucky #tragicdeathxtwo #berliozrocksmyworld

Thank you #Hamburg and the stunning @elbphilharmonie for such a warm welcome last night. Congratulations on the start of another stunning season. An even warmer debt of gratitude for the stunning Orchestre Révolutionaire et Romantique and Sir John Eliot Gardiner for divine, powerful music making. Cléopâtre has never suffered such a brutal death!! Look out, #London: you’re next!! @bbc_proms

Hello from Hamburg! I am thrilled to start the 2018/19 season with two concerts conducted by the legendary Sir John Eliot Gardiner​ and his Orchestre Révolutionnaire et Romantique, tonight at @elbphilharmonie Hamburg and on September 5 at the @bbc_proms in London. I will sing Didon’s death scene from Les Troyens and La mort de Cléopâtre. The next two months are all about #Berlioz for me and I could not be more excited to sing this gorgeous music. 📻 Our concert at the @royalalberthall on September 5 will also receive a live broadcast on @bbcradio3. I hope you all had a spectacular summer. I am very excited to start this new season and I look forward to seeing you at one of my performances! Photo: @chrissingerme

#shattered #glass #beautyinthebroken #geometry #viennaairport #timetofly #aspsawait @bbc_proms #hereicome #queencleo #speakingofshattered ...... 😎💋😎

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There will always be more freedom to acquire and more truth to uncover.

~ Joyce DiDonato