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Dedicating Romeo

Tonight is the opening of “I Capuleti e i Montecchi” here in Zurich. It is a role that I feel and love very deeply, and the opportunity to bring him to life, set to Bellini’s exquisitely well crafted vocal lines, fills me with tremendous gratitude. (I’ve written about my passion for him before.)

It tells the familiar story of Romeo and Juliet: the story we know well, masterfully told by Shakespeare, read aloud in countless sophomore literature classes, endlessly danced to (by yours truly, at least) in Bernstein’s version, retold and remade in numerous cultures and epochs – always breaking our hearts in the end.

Bellini’s version hails from later Italian sources, and as the title indicates, throws the emphasis squarely on the shoulders of these two warring families. This is undeniably an opera about war. Here there is no love duet between the two: they fight in every scene, even in death, never finding peace – even as harmonious thirds in the music ache for them to find each other. After the deaths, the warring families rush the stage and we see how the cycle will inevitably continue.

Why is this on my mind today?

Charleston.

Guns.

Racism.

Inequality.

War.

We need you to make us feel an integral PART of a shared existence through the communal, universal, forgiving language of music, of dance, of poetry and Art – so that we never lose sight of the fact that we are all in this together and that we are all deserving of a life that overflows with immense possibility, improbable beauty and relentless truth.

~ Joyce DiDonato