Oct 17, 2016 | Features | News | Press | No Comments
Joyce DiDonato: It’s 16 November, 2015: I am seated at my father’s old piano in tranquil, uneventful Kansas City, Missouri, with a pile of 60 obscure Neapolitan arias. I’m researching music for my new album, music by composers such as Niccolò Jomelli and Leonardo Leo, who wrote in a post-classical, pre-bel canto world that is sorely underrepresented today on recordings and concert platforms.
My task is to select 10 of these obscure arias to feature on my album and perform on a world tour. Just the day before I had been in glossy Dallas, Texas singing the final emotion-filled performance of a new opera written for me by Jake Heggie titled Great Scott, which asks the pressing question, “Does art matter?” – a question I often contemplate.
Sep 30, 2016 | Concert Reviews | News | Press | 2 Comments
“It was hard to imagine a more compelling soloist than mezzo-soprano Joyce DiDonato, a Chicago favorite making her CSO debut. She floated the vocal lines with a pliant, warmly appealing sound that was even in quality throughout its range, a wealth of subtle colorings, clear Italian diction and an interpretive intelligence that was caring of every twilit mood and complex emotion. Here was a performance as alluring as the tangerine-colored, neo-Grecian, off-the-shoulder gown DiDonato sported.
Sep 29, 2016 | Features | News | Press | No Comments
by Stephen Raskauskas
Maestro Riccardo Muti typically doesn’t pass through a metal detector or get a pat-down before conducting a concert. But the intimate recital he presented with Joyce DiDonato, Eric Owens, and musicians of the Chicago Symphony Orchestra on Sunday, September 25, 2016 was different.
The concert took place at the Illinois Youth Center-Chicago (IYC-Chicago), one of five facilities that are part of the Illinois Department of Juvenile Justice. Muti has made eight visits to Chicago-area correctional facilities in an effort to bring music into the community. This was his second time at IYC-Chicago.