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La Cenerentola at The Met

Mezzo-soprano star Joyce DiDonato will sing her first Met performances of one of her signature roles, the winsome heroine of Rossini’s adaptation of the Cinderella story, La Cenerentola, beginning April 21. The role of Don Ramiro will be shared by two leading bel canto tenors-rising star Javier Camarena, who made an acclaimed Met role debut last month as Elvino in Bellini’s La Sonnambula, and Juan Diego Flórez, one of the world’s foremost Rossini interpreters. Met Principal Conductor Fabio Luisi returns to the podium to lead his first bel canto opera with the company. The cast also includes Alessandro Corbelli as Don Magnifico, the wicked stepfather; Luca Pisaroni as the wise Alidoro; and Italian baritone Pietro Spagnoli in his Met debut as Don Ramiro’s valet, Dandini. The May 10 matinee of La Cenerentola, in which Flórez stars opposite DiDonato, will be transmitted live as part of the Met’s Live in HD series, which now reaches more than 2,000 movie theaters in 66 countries around the world.

Joyce DiDonato has sung Angelina, the title role in La Cenerentola, at major opera houses all over the world, including La Scala, the Bavarian State Opera, Houston Grand Opera, Paris’s Théâtre du Châtelet, and Gran Teatre del Liceu in Barcelona. Angelina is her eighth role at the Met, where her repertory has included the title role in the company premiere of Donizetti’s Maria Stuarda; Sycorax in the world premiere of the Baroque pastiche The Enchanted Island; Isolier in the company premiere of Rossini’s Le Comte Ory and Rosina in his Il Barbiere di Siviglia; the Composer in Strauss’s Ariadne auf Naxos; Stéphano in Gounod’s Roméo et Juliette; and Cherubino in Mozart’s Le Nozze di Figaro. Next season at the Met, she will sing the title role in another Met premiere, Rossini’s La Donna del Lago.

2 Comments

  1. GILLIAN OVEY said…

    I’m one of the MET’s gobal audiences so was in the cinema for tonight’s La Cenerentola.

    The audience at the Henley on Thames, UK were cheering as loudly as those at the MET (did you hear us) and quite a few of us were in tears at the end. A spectacular performance and I can’t believe that you will not be singing that role again – perhaps there will be a change of heart???

    You probably cannot see Juan Diegp’s expressions when you are singing some of your arias but they are ones of total adoration. Please, please thank Fabio Luisi – it is a joy to be able to sit in the pit during the overture and watch his interpretations and experessions when he conducts the MetOrchestra – something you cannot see if you are in the auditorium.

    So, to you all, thank you for a wonderful evening, a wonderful and emotional performance but a particular and special thank you to you.

    Gillian Ovey

  2. G. Allan Baker said…

    We attended the encore screening in Calgary AB, Joyce`s last appearance as La Cenerentola, July 5, 2014.
    It is sad to think that so wonderful, so sound, so true a performance,
    compelling, appealing, invoking, will not be repeated – the dear girl looks so young and seems so real – no wonder our eyes were tear-filled.

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This is how big a @Royals fan I am: my nephew's wife went into labor at the stadium during game 1! Welcome, Ali! http://t.co/bXEngCK7QN

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RT @rdmcphee: .@JoyceDiDonato Well I guess I'm locked into this, then! Can I borrow that @FollowWestwood Drama Queens gown?

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We need you to remind us what empathy is by taking us deep into the hearts of those who are, God forbid, different than us – so that we can recapture the hope of not only living in peace with each other, but THRIVING together in a vibrant way where each of us grows in wonder and joy.

~ Joyce DiDonato